La Ragazza Fuoristrada, by Piero Umiliani

La Ragazza Fuoristrada

by Piero Umiliani

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1.	Volto di donna 03:27	buy track
2.	Nostalgia 03:21	buy track
3.	Nostalgia - Instrumental Version 03:17	buy track
4.	Volto di donna - Hammond Version 03:30	buy track
5.	Nostalgia - Organ And Flute Version 03:26	buy track
6.	Volto di donna - Moog Version 02:57	buy track
7.	Le Ore che contano 05:03	buy track
8.	Volto di donna - String Version 03:27	buy track
9.	Il tuo volto 02:05	buy track
10.	La Rinuncia 02:29	buy track
11.	Cantata per Maryam 01:54	buy track
12.	Volto di donna 03:26	buy track
13.	La rinuncia (Alternative Take) 02:13	buy track
14.	Senza tregua (Alternative Take) 01:56	buy track
15.	Il tuo volto (Alternative Take) 02:56	buy track
16.	Cantata per Maryam (Alternative Take) 01:53	buy track
17.	La rinuncia (Alternative Take) 02:28	buy track
18.	Oltre l'acqua del fiume (Alternative Take) 02:38	buy track
19.	La prima uscita (Alternative Take) 02:31	buy track
20.	Tra la gente (Alternative Take) 02:44	buy track
21.	Le ore che contano (Alternative Take - Instrumental) 05:01	buy track
22.	Maryam (Alternative Take) 02:37	buy track
23.	The Party (Alternative Take) 02:28	buy track
24.	Volto di donna (Alternative Take - Original Demo) 03:30	buy track

about

This is the second movie with Zeudi Araya, filmed in a hurry to take advantage of the success of the previous “La ragazza dalla pelle di luna” (1973).
“La ragazza fuoristrada”, set between Egypt and Ferrara, deals in an unusual way with the theme of racial integration, still considered a taboo at the time especially in remote Italian provinces. Despite the fact that the title evokes the legendary Dune Buggy (the main character, Luc Merenda, is a journalist who goes to Egypt to test it), this is not an action movie but on the contrary is an intimate and thought provoking portrait.
Once again Piero Umiliani’s music adds melancholy to the evocative scenes (“Il tuo volto”, “Volto di donna”, “Nostalgia”, presented here in different versions), without neglecting important sound variations like in “Senza tregua”, years ahead of the James Taylor Quartet and acid jazz, or “La rinuncia”, a wonderful rock theme with the Hammond organ. Araya’s voice, in addition to her mysterious and sophisticated beauty, is also worth mentioning. She sings two songs in the movie, “Oltre l’acqua del fiume” in Italian and “Maryam” in Amharic, which for some reason have not been included in the vinyl soundtrack.

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released May 12, 2015

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